at Met Breuer, NYC (through 5 July 2020) Reviewed by Peter Schjeldahl The New Yorker “Birkenau.” The dread name—of the main death facilities at Auschwitz—entitles four large abstract paintings and four full-sized digital reproductions of them in the last gallery of Painting After All, a peculiarly solemn Gerhard Richter retrospective at the Met Breuer. The […]
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